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Vol. 49 (2023)
Vol. 49 (2023)
DOI:
https://doi.org/10.31318/0130-5298.2023.49
Published:
2023-06-30
Full Issue
PDF (Українська)
CREATIVE PERFORMANCE OF KIRA SHAMAEVYA – PIANIST, SCIENTIST, TEACHER
Update of the Source Science Heritage of Ukraine in Kira Ivanivna Shamaieva’s Scientific Discourses
Marianna Kopytsia
7-11
PDF (Українська)
Kira Shamaieva's Contribution to the Study of Music Culture of Elisavetgrad
Iryna Sikorska
12-21
PDF (Українська)
WAYS OF SOURCE SCIENCE RESEARCH K.I.SHAMAEVA
The Neuhauses and Proletarian Culture. Intersection Points
Maryna Dolhikh
22-37
PDF (Українська)
Chamber Ensemble Named After Ignacy Feliks Dobrzyński: 20 Years of SocioCultural Communication
Iryna Kopot
38-46
PDF (Українська)
Influence of Western Modernist Trends on Kyiv Music end Theoretical School In 1915–1925 Years
Oksana Hnatyshyn
47-60
PDF (Українська)
“Wedding” by Yakiv Yatsynevych: Peculiarities of Verbal Texts Musical Reading
Daryna Chamakhud
61-82
PDF (Українська)
Romantic Characteristics of Harmony in the Chamber and Vocal Works of Viktor Kosenkо on the Poems of Symbolist Poets
Alina Varshavska
83-88
PDF (Українська)
Similarity and Early Development of Musical Art For Archeological Materials
Kateryna Fadieieva, Serhii Pustovalov
89-99
PDF (Українська)
The Specific of Folk Song Arrangements in Yaroslav Vereshchagin's Vocal Cycles
Sofiia Trusenko
100-111
PDF (Українська)
The Composer's Interpretation of yhe State Anthem of Ukraine in the Works of Ukrainian Composers
Stepan Makiienko
112-121
PDF (Українська)
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