Vol. 50 (2024)

DOI: https://doi.org/10.31318/0130-5298.2024.50

Published: 2024-12-24

History, Theory And Methodology Of Musical art

Principles of Reforming Music and Educational Directions in Ukrainian Musicological Thought on the Vector of Cultural and Educat

M. D. Kopytsya

7-17
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Virtuosity and Melodiousness in the Works of Georg Edward Holterman: Methodological Significance for Modern Musical Pedagogy (To the 200th Anniversary of His Birth)

D. V. Viter, O. B. Kolyadenko

18-26
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Genre Innovations in the Fields of Romanticism: Lullaby-Berceuse and Dumka

K. I. Shamaeva, O. Yu. Volosatykh

27-38
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Compositional Structure of Arthur Honegger's Antigone as the Foundation of the Artistic Integrity of the Opera

M. S. Antonova

39-54
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Hans von Bülow and His Role in the Formation of the Conducting School: Musical Innovation and Performing Mastery

O. V. Zavolgin

55-66
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Organological Peculiarities of the Development of the Violin: European and Ukrainian Experience

N. O. Mironova

67-81
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Images of Nostalgia in Mykola Lysenko's Opera "Nocturne"

O. Yu. Semenets

82-94
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Melodramas for Piano by Richard Strauss: Specifics of the Transformation of the Genre (to the 160th Anniversary of the Composer's Birth)

A. Speka

95-106
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Opera: directing, interpretation, stage practices

Visualization of Instrumental Scenes in Opera Performances

O. V. Kasyanova

107-115
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Iconic Operas by Claudio Monteverdi in Productions by Leading European Directors 2010–2024: a Dialogue of Traditions and Innovation

V. I. Nikolaenko

116-124
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A. Rudnytsky's Opera "Anna Yaroslavna - Queen of France" in the Historical Paradigm of the Director's Reading of the Work

I. O. Suvorova

125-135
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