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Vol. 45 (2019)
Vol. 45 (2019)
DOI:
https://doi.org/10.31318/0130-5298.2019.0.45
Published:
2019-12-28
Питання теорії музики
APPOGGIATURA AS AN ELEMENT OF MUSICAL TEXTURE: A PART OF THE MELODY OR AN ORNAMENT?
Olena Zhukova
7-18
PDF (Українська)
BASIC METHODOLOGICAL FUNDAMENTALS OF MUSICOLOGY HISTORY (ABOUT IDENTITY OF SCIENTIF IC DIRECTION)
Oksana Hnatyshyn
19-30
PDF (Українська)
Історія музичного мистецтва
SOCIO-CULTURAL PARADIGM OF LVIV COMPOSER SCHOOL
Liubov Kyianovska
31-48
PDF (Українська)
CONCEPTS OF PERIODIZATION OF MUSIC BY SERGEI BORTKIEWICZ: HISTORIOGRAPHY AND NEW APPROACH
Temur Yakubov
49-70
PDF (Українська)
FORMATION OF THE DIRECTOR'S PERSONALITY. VALERY KURBANOV (TO THE 80TH BIRTHDAY ANNIVERSARY)
Olena Savchuk
71-84
PDF (Українська)
VALENTYNO SERMATTEI’S PRIVATE ITALIAN MANAGEMENT AT ODESA OPERA HOUSE (1857 – 1859)
Kostyantyn Batsak
85-106
PDF (Українська)
Композиторська творчість і виконавство
THE SUCCESSION OF THE CREATIVE PROCESS IN KARABITS FAMILY: FRAMES AND SOUNDS
Dmytro Gordon
107-117
PDF (Українська)
VOLODYMYR ZVARUN’S СONDUCTING WORK (ON THE EXAMPLE OF THE MALE CHOIR «CHERVONA KALYNA»)
Oksana Maneliuk
118-130
PDF (Українська)
MUSICAL ENLIGHTENMENT ACTIVITIES OF IGOR SONEVYTSKYI IN THE CONTEXT OF THE CULTURE OF THE UKRAINIAN DIASPORA IN NORTH AMERICA (ON THE BASIS OF ARCHIVE MATERIALS)
Yurii Ostrovskyi
131-148
PDF (Українська)
«PIANO PIECES FOR CHILDREN AND YOUTH» BY MYKOLA LASTOVETSKY: THE IMAGINATIVE AND THEMATIC DIMENSION
Zoryana Lastovetska-Solanska
149-163
PDF (Українська)
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