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Vol. 46 (2020)
Vol. 46 (2020)
DOI:
https://doi.org/10.31318/0130-5298.2020.46
Published:
2020-11-10
Questions of musical theater
Integrity of the vocal-stage image of Kateryna Ismailova in the same opera by D. Shostakovich
Yevdokiia Kolesnyk
7-17
PDF (Українська)
National image in ukrainian opera: scientific aspect of directing interpretations
Serhii Vorobiov
18-29
PDF (Українська)
Children's and youth repertory of the modern musical theater in Ukraine: research problems of the director's concept
Oleksandra Shevelova
30-44
PDF (Українська)
The director's concept of the opera performance through the prism of modern theater aesthetics
Petro Ilchenko
45-57
PDF (Українська)
Evolutionary modifications of dance scenes in the context of the genesis of the ukrainian opera
Olena Kasianova
58-74
PDF (Українська)
Ukrainian performances of small form operas in the era of the 2000s
Oleksandr Spivakovskyi
75-85
PDF (Українська)
Composer's work and performance
Traditional and innovative in the orchestration of Ivan Karabyts‘ third concerto for orchestra «Lamantation»
Vadym Rakochi
86-98
PDF (Українська)
Ukrainian irmologions in the context of the development of analytical comprehension of music
Oksana Hnatyshyn
99-110
PDF (Українська)
«New simplicity» as a phenomenon of modern musicin the conceptual context of novelty
Oleхandra Ovsiannikova-Тrеl
111-126
PDF (Українська)
Concerts for Clavier and Orchestra by Wolfgang Amadeus Mozart: Trends in the Development of the Genre in the Context of His Composer Method
Oksana Soloviova
127-139
PDF (Українська)
Synthesis of Scientific and Creative Picture of the World on the Example of the Genre of Thought in the Research of F. Kolessa and the Composer's Interpretation of D. Sichinsky
Vitaliy Bolgar
140-151
PDF (Українська)
Evolution of piano miniature in the early 20th century (exemplified by V. Rebikov's piano work)
Pavlo Mingalyov
152-165
PDF (Українська)
The viola in Zoltan Almashi creation: the view of the first performer
Andrii Tuchapets
166-176
PDF (Українська)
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