Vol 44 (2018)

DOI: https://doi.org/10.31318/0130-5298.2018.44.0

Table of Contents

Historical Information about Greek Chant in the Ukrainian and Belarusian Church Tradition (XVI – XVIII centuries) PDF (Українська)
Y. Ignatenko 7-19
Ornaments in the baroque keyboard music: the questions of notation PDF (Українська)
О. Zhukova 20-30
Musical Collection from Latin Cathedral in Lviv as the Source of the History of the Cathedral Choir and Orchestra PDF
A.-E. Godek 31-37
Songs by Witold Friemann set to the poems of Taras Shevchenko: PolishUkrainian inspirations in art PDF
A. Nowak 38-45
Works of Turkish composers for ethnic instruments accompanied by orchestra: Dialogue of East and West PDF (Русский)
B. Özcanlı-Mirzayev 46-57
Neo-romantic features of Valentin Kostenko (on the example of the cycle "12 romances on the words of Lesia Ukrainka") PDF (Українська)
I. Berenbein 58-66
Symphony No1 by Volodymyr Zagortsev: history of creation, commentary on reconstruction PDF (Українська)
О. Voytenko 67-75
Becoming of the chamber choir "Kyiv"`s repertoir concept ( on archive materials) PDF (Українська)
A. Sirash 76-86
Peculiarities of quotation perception in the world music (evidence from Deep Forest and DakhaBrakha creativity) PDF (Українська)
I. Fedorova 87-97
The musical environment as the object of local musical study PDF (Українська)
О. Kavunnyk 98-106
Creative kontsept of bitiya in context of the postmodern culturological understanding PDF (Українська)
L. Trouelnikova 107-115
Iryna Mykolaïvna Vilinska. The Composer in the Ukrainian School of Vocal Arts PDF (Українська)
V. Nazarenko, Y. Vilinsky 116-139