Influence of Western Modernist Trends on Kyiv Music end Theoretical School In 1915–1925 Years
DOI:
https://doi.org/10.31318/0130-5298.2023.49.298978Keywords:
Kyiv music and theoretical school, modernist trends, organization of musical science, doctrineAbstract
The purpose of the article is to reveal the scientific ideas of the first in Ukraine center of musicologists, formed in Kyiv in 1915–1925 years. The methodology was formed on the application of historical, gnoseological, formal-logical, systematic approaches using special-historical (comparatives and historical typology) methods of research. The scientific novelty of the article is that for the first time in Ukrainian musical historiography, an attempt was made to analyze the scientific, organizational and musicaltheoretical achievements of Ukrainian musicologists on the platform of a certain philosophical and cultural movement with its transformations in education and science on the example of the Kiev Scientific and Music School of the early twentieth century. The Conclusions. The group of the first professional musicologists in Ukraine should enter the history of Ukrainian music science as the Kyiv Music and Theoretical School. The unifying factor for them were common tasks (building the structure of national music education, searching for the essence of music science and the directions of its research research) and fundamental musical and theoretical principles. Filled with special knowledge and enriched with certain experience, leading figures of musical culture in Kiev in a short time (apprehension from 1916 to 1924) for the first time in Ukraine developed a three-stage structure of musical education of youth (B. Yavorsky), painted ways of development of musical science (B. Yavorsky, A. Butskoy). In its organizational activity, new post-revolutionary opportunities were used, and in scientific research they were based on the world's most common moderator philosophical theories. In the teachings about musical thinking and the structure of musical language B. Yavorsky and A. Butskoy consciously or intuitively embodied the ideas of many leading modernist philosophers in the West (especially E. Husserl, A. Bergson, V. Warringer). Despite the rejection of their innovative views at that time, some of them remain effective and relevant today.
References
Avtushenko, I. & Buhlai, N. 2021. Konformizm i nonkonformizm tvorchoji inteligenciji v radjansjkij Ukrajini 1920 ‒ 1930 -kh rr.: problema vyboru [Conformism and nonconformism of the creative intelligentsia in Soviet Ukraine in the 1920 and 1930 s: the problem of choice]. In: Ukrajinsjkyj istorychnyj zhurnal [Ukrainian Historical Journal]. No. 2, Kyiv, pp. 80-92. [in Ukrainian].
Antropova, T. 2015. Pytannja cyklichnosti ta syntezu kuljturotvorchykh procesiv u khudozhnikh koncepcijakh ukrajinsjkykh mytciv pershoji tretyny ХХ st. [Questions of cyclicity and synthesis of cultural processes in the artistic concepts of Ukrainian artists of the first third of the twentieth century]. In: Kyjivsjke muzykoznavstvo. Kulturolohiia ta mystetstvoznavstvo [Musicology of Kyiv. Culturology and Art Studу]. R. Glier Kyiv Institute of Music. Tchaikovsky National Music Academy of Ukraine. Issue 51, pp. 205-220. [in Ukrainian].
Antropova, T. A. 2010. The figure of B. Yavorsky in the context of cultural processes in Ukraine in the 10‒20 s of the XX century [Postatj B. Javorsjkogho u konteksti kuljturotvorchykh procesiv v Ukrajini 10‒20 kh rokiv XX stolittja]. The dissertation author’s abstract for gaining the degree of the Candidate of Art Criticism by specialty 17.00.03 Music Art. Tchaikovsky National Music Academy of Ukraine. Kyiv, 20 p. [in Ukrainian].
Aranovskiy, N. G. 2012. Teoreticheskaya koncepciya B. L. Yavorskogo [Theoretical concept of B. L. Yavorsky]. In: Iskusstvo muzyki: teoriya i istoriya [The Art of Music: Theory and History]. Issue 6, pp. 41–60 [in Russian].
Bychkov, YU. N. and Glyadeshkina, Z. I. 1984. Ladovaya organizaciya i kompozicionnaya struktura muzykal'nogo proizvedeniya v teorii B. Yavorskogo [Modal organization and compositional structure of a musical work in the theory of B. Yavorsky]. Moscow: Sovetskij kompozitor, 51 p. [in Russian].
Butskyi, An. 1923. Muzyka v tvorchosty zhyttja [Music in the creativity of life]. In: Muzyka [The music]. No. 1, pp. 14–18 [in Ukrainian].
Butskoi, An. 1923. Pokhodzhennia muzychnoi materii [The origin of musical matter]. In: Muzyka [The music]. No. 6-7. Kyiv, pp. 3–12 [in Ukrainian].
Butskoy, А. К. 1948. Struktura muzykalnogo proizvedeniya: Teoreticheskie osnovy analiza muzykalnykh proizvedeniy [The structure of a musical composition: Theoretical foundations of the analysis of musical composition]. Lenynhrad; Moskva: Gosmuzizdat, 257 p. [in Russian]
Hnatyshyn, O. 2019. Doslidnytske pole istorii muzykolohii pro strukturu istoryko-muzykolohichnoho doslidzhennia [Research field of the history of musicology on the structure of historical and musicological research]. In: Aktualni pytannia humanitarnykh nauk [Current issues of the humanities] Issue 26, vol. 1, pp. 34–38. DOI: https://doi.org/10/24919/2308-4863.1/26.195799 [in Ukrainian].
Hnatyshyn, O. 2018. Istorychnyi vymir ukrainskykh muzychno-teoretychnykh kontseptsii [Historical dimension of Ukrainian musical-theoretical concepts]. Lviv: Vydavnytstvo Lvivskoi politekhniky, 600 p. [in Ukrainian].
Iz istorii Sankt-Peterburgskoy konservatorii. Prikaz № 22 po Leningradskoy ordena Lenina gosudarstvennoy konservatorii imeni N. A. Rimskogo-Korsakova ot 22 fevralya 1949 g. 2010 MUSICUS. Issue 5, vol. 5–6 [in Russian].
Kulikova, I. 1980. Filosofiya i iskusstvo modernizma [Philosophy and Art of Modernism]. Мoskva: Politizdat, 312 p. [in Russian].
Lunacharskiy, А. 1927. The New book about music. Lunacharsky A. Questions of sociology of music. [Novaya kniga o muzyke. Lunacharskiy A. Voprosy sotsiologii muzyki]. Moskva: Gosudarstvennaya akademiya khudozhestvennykh nauk, рр. 40–53 [in Russian].
Makaryk, I. 2010. Peretvorennja Shekspira. Lesj Kurbas, ukrajinsjkyj modernizm i radjansjka kuljturna polityka 1920 -kh rokiv [Shakespeare’s transformation. Les Kurbas, Ukrainian Modernism and Soviet Cultural Policy in the 1920 s]. Kyiv: Nika-Zentr, 348 p. [in Ukrainian].
Oghljad muzychnogho zhyttja 1923: V Kyivi: Instytut im. Lysenka [Review of musical life: In Kiev: Institute named after Lysenko]. In: Muzyka [The music]. No. 6–7, p. 41 [in Ukrainian].
Oghljad muzychnogho zhyttja 1923: V Muzychnomu Tovarystvi im. Leontovycha [Review of musical life: In the Music Society named after Leontovych]. In: Muzyka [The music]. No. 8–9, p. 34 [in Ukrainian].
Sokol, A. 1991. Stylistic and culturological concepts of the history of music by S. Skrebkov and B. Yavorsky. Sokol A. The structure of musicology. [Ctilisticheskaya i kulturologicheskaya koncepcii istorii muziki S. Skrebkova i B. Yavorskogo. Sokol A. Struktura muzykoznaniya]. Moskva, pp. 29–34 [in Russia].
Taranchenko, O. 2014. Muzyka v tvorchosti zhyttia. Anatolii Butskoi ‒ neordynarna osobystist, mytets, vchenyi [Music in the creativity of life. Anatoliy Butskoy is an extraordinary person, artist, scientist]. In: Naukovyi visnyk Natsionalnoi muzychnoi akademii imeni P. I. Chaikovskoho [Scientific Bulletin of the National Musical Academy of Ukraine named after P. I. Tchaikovsky]. Issue 112: Коmpozytory I muzykoznavtsi Kyivskoi konservatorii 1913–1922 [Composers and musicologists of the Kiev Conservatory 1913–1922]. Kyiv, pp. 73–95 [in Ukrainian].
Kholopov, Yu. 2006. The theory of the mode by B. L. Yavorsky. Kholopov Yu., Kirillina L., Kyuregyan T., Lyzhov G., Pospelova R., Tsenova V. Musical-theoretical systems. [Ladovaya teoriya B. L. Yavorskogo. Kholopov Yu., Kirillina L., Kyuregyan T., Lyzhov H., Pospelova R., Tsenova V. Muzykalnoteoreticheskie sistemy]. Moskva: Izd. dom «Kompozitor», рp. 375–394 [in Russian].
Khronika mystetskoho zhyttia 1923. Vystava «Hazu» v Kyivi [Chronicle of artistic life: Performance «Gas» in Kiev]. In: Muzyka . No. 2, p. 24 [in Ukrainian].
Shmit, F. I. 1919. Iskusstvo: ego psikhologiya, ego stilistika, ego evolyutsiya [Art: its psychology, its style, its evolution]. Kharkov, 328 p. [in Russian].
Yavorskiy, B. 1972. Stati. Vospominaniya. Perepiska [Articles. Memories. Correspondence]. Moskva: Sovetskiy kompozitor, 711 p. [in Russian].
Yavorskiy, B. 1987. Tom II. Izbrannye trudy. Ch. 1 [The selected works]. Moskva: Sovetskiy kompozitor, 366 p. [in Russian].
