Vol. 47 (2021)

DOI: https://doi.org/10.31318/0130-5298.2021.47

Published: 2021-10-21

Full Issue

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Questions of musical theater

Mykola Lysenka’s Opera "Taras Bulba" in the Director’s Interpretation by Dmitro Hnatiuk

Viktor Bondarchuk

7-16
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The Concept of Training a Doctor of Art from Music Directing

Olena Kasianova

17-27
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Opera by Lev Kolodub "The Poet" as a Vector of the Director's Actualization of the Kobzar’s Image in Modern Ukrainian Realities

Tatiana Voronova

28-38
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Opera by G. Rossini "Il Barbiere di Seviglia" Through the Prism of Director's Analysis of a Creative Artistic Project

Tamara Forsiuk

39-48
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Operetta «Key on the Pavement» by Jacques Offenbach: Modern Directing and Analytical Aspect

Oksana Petrenko

49-57
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Repertoire Policy of Theatrical Centers in Hlukhiv in 1900–1920

Anna Myronenko

58-66
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Composer's work and performance

Composer and Performance Cooperation as a Communicative System in Violin Art

Nataliіa Myronova

67-79
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«Sinfonia da Requiem» by Benjamin Britten: Semantic and Constructive Features of the Requiem

Maryna Haiduk

80-101
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Vocal Cycle «From Songs of Hiroshima» by Ivan Karabyts: Dialogue of Cultures of East and West

Olena Batovska, Tetiana Shapovalova

103-113
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Work on Technology in the Class of Professor Aza Roshchina

Natalia Maltseva

114-120
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The Formation of the Professional Arts and Entertainment Music Development Paradigm on the Case of Album Home Music of the ХІХ - Beginning the ХХ Century

Taras Dubrovnyi

121-130
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Vocal Cycle of Yaroslav Vereshchahin «Laughing Spring»: Formation of Musical and Poetic Integrity

Sofiia Trusenko

131-149
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«Both Dead and Alive…»: Prophetic Ideas of Taras Shevchenko In Antin Rudnytsky's channel «Poslanie»

Alina Varshavska

150-160
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