Vol. 44 (2018)

Статті

• Historical Information about Greek Chant in the Ukrainian and Belarusian Church Tradition (XVI – XVIII centuries)

  Y. Ignatenko

  7-19

  • PDF (Українська)

• Ornaments in the baroque keyboard music: the questions of notation

  О. Zhukova

  20-30

  • PDF (Українська)

• Musical Collection from Latin Cathedral in Lviv as the Source of the History of the Cathedral Choir and Orchestra

  A.-E. Godek

  31-37

  • PDF

• Songs by Witold Friemann set to the poems of Taras Shevchenko: PolishUkrainian inspirations in art

  A. Nowak

  38-45

  • PDF

• Works of Turkish composers for ethnic instruments accompanied by orchestra: Dialogue of East and West

  B. Özcanlı-Mirzayev

  46-57

  • PDF (Русский)

• Neo-romantic features of Valentin Kostenko (on the example of the cycle "12 romances on the words of Lesia Ukrainka")

  I. Berenbein

  58-66

  • PDF (Українська)

• Symphony No1 by Volodymyr Zagortsev: history of creation, commentary on reconstruction

  О. Voytenko

  67-75

  • PDF (Українська)

• Becoming of the chamber choir "Kyiv"`s repertoir concept ( on archive materials)

  A. Sirash

  76-86

  • PDF (Українська)

• Peculiarities of quotation perception in the world music (evidence from Deep Forest and DakhaBrakha creativity)

  I. Fedorova

  87-97

  • PDF (Українська)

• The musical environment as the object of local musical study

  О. Kavunnyk

  98-106

  • PDF (Українська)

• Creative kontsept of bitiya in context of the postmodern culturological understanding

  L. Trouelnikova

  107-115

  • PDF (Українська)

• Iryna Mykolaïvna Vilinska. The Composer in the Ukrainian School of Vocal Arts

  V. Nazarenko, Y. Vilinsky

  116-139

  • PDF (Українська)