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1 - 10 of 10 items

The viola in Zoltan Almashi creation: the view of the first performer

Andrii Tuchapets
166-176
2020-10-27

Kira Shamayeva as a Historian of the Ukrainian Musical Culture

Tetyana Omelchenko
8-29
2022-11-17

The Role of the Department of Opera and Symphony Conducting at the Ukrainian National Tchaikovsky Academy of Music in Preserving and Developing the Ukrainian Conducting School

Dileaver Osmanov, Viktor Zdorenko
57-64
2025-11-27

Iryna Mykolaïvna Vilinska. The Composer in the Ukrainian School of Vocal Arts

V. Nazarenko, Y. Vilinsky
116-139
2018-12-19

BASIC METHODOLOGICAL FUNDAMENTALS OF MUSICOLOGY HISTORY (ABOUT IDENTITY OF SCIENTIF IC DIRECTION)

Oksana Hnatyshyn
19-30
2019-12-27

THE SUCCESSION OF THE CREATIVE PROCESS IN KARABITS FAMILY: FRAMES AND SOUNDS

Dmytro Gordon
107-117
2019-12-27

The Significance of Lev Venedyktov's Creative Personality in the Development of Ukrainian Musical and Performance Art

Oksana Letychevska
34-43
2025-11-27

Transformation of modern musical thinking through the prism of Sergei Zazhytko’s creativity

O. Beregova
81-93
2017-11-27

«24 Children's Pieces for Piano» by Viktor Kosenko in the European Music History for Children

Kira Shamayeva
30-50
2022-11-17

Peculiarities of quotation perception in the world music (evidence from Deep Forest and DakhaBrakha creativity)

I. Fedorova
87-97
2018-12-19
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