The Role of the Scientific and Methodological Heritage of Borys Mylych in the Formationof Ukrainian Piano Pedagogy of The Second Half of the 20th century (to the 120th Anniversary of his Birth)

Authors

DOI:

https://doi.org/10.31318/0130-5298.2025.51.359042

Keywords:

piano pedagogy, scientific and methodological activities of B. O. Mylych, performance and methodological training of a teacher, performance and pedagogical analysis

Abstract

The relevance of the study. The pedagogical, scientific and methodological activities of the outstanding Ukrainian teacher-pianist, scientist-methodologist Borys Ovsiyovych Mylych (1904–1991), a pupil of the outstanding teacher, founder of the Kyiv Conservatory V. V. Puhalsky, are highlighted, and the directions of his multifaceted activity are determined. The importance of Mylych as a teacher as an outstanding organizer and inspirer of the school-studio at the Kyiv Conservatory in the training of highly professional pedagogical personnel for higher, secondary and primary musical educational institutions of Ukraine in the second half of the 20th century is emphasized, as well as the compiler of an entire library of educational repertoire - a tenvolume series of manuals for students of children's music schools from grades 1 to 7, as well as numerous collections of works by Ukrainian composers for schools and music schools, which are in demand to this day.

At the same time, the situation of forgetting the significant methodological heritage of B. O. Mylych, which developed in the late 20th - early 21st centuries, is outlined. Namely: the absence of his works in the programs on piano teaching methods of secondary and higher musical educational institutions, the absence of scientific research of his numerous methodological works.

The main objective of the study. The purpose of this publication is to determine the factors that formed the musical education of B. O. Mylych as a pianist, teacher, methodologist, to define the areas of his pedagogical activity and the main provisions of the methodology.

The methodology includes the analytical method of the main works of B. O. Mylych, such as: “On the formation and improvement of the teaching skills of pianist teachers”, a manual for preschool children's piano lessons “The Little Pianist”, three books for working with pupils of all grades of the State Musical School “Education of a Pianist Student”, which were included in the complete collection of works of B. O. Mylych “Piano pedagogy”, compiled by the author of the article. The generalization method contributed to the formulation the main provisions of B. O. Mylych’s methodology.

Results and conclusions. The author proves that the introduction of the works of B. O. Mylych into scientific circulation will contribute to the development of scientific research in the field of Ukrainian piano pedagogy, the expansion and deepening of professional knowledge and skills of specialists in the field of music pedagogy.

References

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Published

2025-11-27

How to Cite

Omelchenko, T. (2025). The Role of the Scientific and Methodological Heritage of Borys Mylych in the Formationof Ukrainian Piano Pedagogy of The Second Half of the 20th century (to the 120th Anniversary of his Birth). Ukrainian Musicology, 51, 19–33. https://doi.org/10.31318/0130-5298.2025.51.359042

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