The Formation of the Professional Arts and Entertainment Music Development Paradigm on the Case of Album Home Music of the ХІХ - Beginning the ХХ Century
DOI:
https://doi.org/10.31318/0130-5298.2021.47.256743Keywords:
biedermeier, kitsch, home music, music albumsAbstract
Relevance of the study. Through the prism of the tradition of home music of the 19th - beginning of the 20th centuries, the music albums that formed the basis of the repertoire of home music salons are considered. The example of two noble families from Lviv and Odessa shows the importance of such collections for the formation of the individual's personality, perception of the world and spiritual development, as well as influence on the formation of aesthetic tastes. The genre features of the works included in the collections as well as the quantitative correlation of professional composers and amateur composers are analyzed.
The main ground in the development of amateur art was home music. Professional music activity for Ukrainians Galicia was almost inaccessible, so they played mainly in a home atmosphere and could reach only the level of amateurism. Families of composer-priests, who essentially made up the elite of the Ukrainian milieu, played a decisive role in this, and accordingly, a special role in the development of Galician musical culture belongs to them. On the example of the tradition of home music, the stratification of the development of musical art into professional and entertaining is explored. The influence of representatives of the "peremyshl school" on professional art, spiritual creativity and entertaining, salon music is considered. The influence of the Austro-German popular Leadertafel songs and Biedermeier style, which, on the example of the albums analyzed, formed the basis of music collections and, in general, had a direct impact on the formation of both professional choral and spiritual composer art and "light" music. The combination of samples of "high", "low" culture and kitsch played an important role in the process of final creation of the "style face" of national music art and the establishment of the paradigm of the national composing school.
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