Vol. 43 (2017)

View Vol. 43 (2017)

DOI: https://doi.org/10.31318/0130-5298.2017.43.0

Published: 2017-06-01

Здобутки музичної науки

Ukrainian National P.I. Chaykovsky Music Academy as the Scientific Center of Europe

V. Rozhok

4-12
- PDF (Українська)
Historical preconditions of creation of the conservatory of galician music society in Lviv

T. Mazepa

13-26
- PDF (Українська)
The musical phenomenon in the films by Sergey Parajanov

S. Sarkisyan

27-40
- PDF (Русский)
Traditions of Biedermeier in the Galician musical culture of the XIX century

M. Novakovych

41-51
- PDF (Українська)
Phonemic and lado-intonation analysis of Ukrainian monodic chants of the 17th – 18th century: verbal-poetic and musical patterns

L. Putyatytska

52-64
- PDF (Українська)
The fate of Sergei Bortkiewicz’s manuscripts: lost and found

T. Yakubov

65-80
- PDF (Українська)
«Her Stories Unsung»: embedding feminist activism for social change within musical composition for concert hall programming

Kevin Malone

94-111
- PDF
Features of theatricality in the Concert № 2 for bayan and chamber orchestra by Anatoliy Gaydenko “From ancestral times…”

A. Yeremenko

112-120
- PDF (Українська)
The Perform Strategy of the Valentyn Sylvestrov`s String Quartette No. 1 by the String Quartette named after Mykola Lysenko

Yu. Chemerys

121-129
- PDF (Українська)
Symbolic elements of the structure in Viktor Kosenko’s Sonata for violin and piano op. 19

D. Kharitonova

130-144
- PDF (Українська)

Композиторська творчість і виконавство

Transformation of modern musical thinking through the prism of Sergei Zazhytko’s creativity

O. Beregova

81-93
- PDF (Українська)

Актуальні питання музичного театру

«Golden Age» of the Italian opera of Odessa: Havrylo Androsov’s enterprise in the season of 1850–1851

К. Batsak

145-165
- PDF (Українська)
«Harakiri» and «Radames» by Peter Eötvös: European reading of Japanese traditions in the operatic drama of the XX century

R. Sokachyk

166-176
- PDF (Українська)
Zoya Hayday’s concert activity in the 1930s: vocal and performance social and cultural aspects

O. Katsalap

177-193
- PDF (Українська)
Dmytro Gnatyuk on the opera stage (1951–1952)

V. Bondarchuk

194-201
- PDF (Українська)